Basic Information
| Field | Details |
|---|---|
| Full name | Susan Marie Isabel Hansen |
| Parents | Charles Henry Hansen (father), Isabel McGehee Hood (mother – reported) |
| Spouse | Michael Stanton “Mike” Jeffries – married April 3, 1971 |
| Children | Andrew Hansen Jeffries (son) |
| Noted family business | Chas. H. Hansen Music Publishing |
| Public profile | Mostly known through family ties and marriage |
| Marriage length | Married in 1971 – 54 years as of 2025 |
| Public appearances | Mentioned in wedding notices and news coverage related to spouse |
Early life and family background
As the daughter of Charles Henry Hansen, a person associated with a family-run publishing company, Susan Marie Isabel Hansen was born into a family with roots in American music publishing. Names on paper were almost as important as names on stage in the home she grew up in, which was filled with publishing ledger books and the regular rhythm of administrative activity. The family structure is evident: a father who headed a publishing company and at least one sibling, Kathleen, who shows up in family lists. However, the precise birthdate and early schooling are not made public.
The family story is anchored by numbers. Daughters who took the surname into later social notices, a single father leading the company. That household’s cultural capital probably provided Susan with a means of entering social circles and eventually getting married to a young, aspirational executive.
Marriage and family life
Susan married Michael Stanton Jeffries on April 3, 1971, a date recorded in contemporary wedding announcements. The ceremony and the societal note that followed cast the pair into the public register of notable marriages of the era. From that day forward the family unit grew to include one son, Andrew Hansen Jeffries, who later appeared in social registries of his own when he reached marriageable age.
Married life stretched across decades. By 2025 the union marked 54 years. The public narrative around the marriage has often been a brushstroke in larger portraits of Mike Jeffries, whose career in retail made him a national figure. Susan remained a steady name in that portrait, presented more as familial anchor than headline actor. She has been described in press accounts primarily in relation to her husband and to the family she came from, rather than as a separate public personality with a catalog of public achievements.
Career and public profile
There is little in mainstream records that reads like a resume for Susan outside the family context. Early notices link her to the music-publishing milieu of her father, suggesting proximity to the business if not active leadership within it. The public record offers no long list of executive titles, public speaking circuits, or entrepreneurial ventures in her name.
That absence is itself a kind of presence. In a world that often rewards self-branding and constant visibility, a life lived without a public CV becomes conspicuous. Susan appears as the kind of person who belongs to institutional memory rather than to media cycles. Her public achievements, therefore, are measured by relationships and by the continuity of family ties across decades.
Financial and public standing
Susan’s specific financial disclosures are not available to the public. Her spouse, who oversaw a large retail business and whose salary, stock holdings, and legal issues drew attention, is usually the focus of financial attention in media accounts. As a result, there is no widely available independent estimate of Susan’s net worth, making her financial situation opaque to the public.
In summary, she is a longtime spouse of a corporate CEO, comes from a family that used to run a music publishing company, and has remained private in a period when the lines between public and private life are becoming increasingly hazy. Although those factors imply access to wealth related to both marital partnerships and family inheritance, it would be speculative to assign quantities in the absence of specific public financial accounts.
Recent mentions and public context
In recent years Susan’s name has appeared in news items that centered on Mike Jeffries. Coverage of legal matters and investigations involving him has periodically referenced the marital status of the couple and noted that Susan remains legally married to Jeffries. On certain public occasions such as court proceedings, press reports noted the presence of family members, and names like Susan and Andrew have been used to contextualize personal background.
These mentions place Susan at the edges of major headlines rather than at their center. She functions in reporting as a point of biographical fact, a line that helps journalists map a public figure’s private life. The tone of those notes is factual and restrained, rarely speculative. Her public visibility spikes only when the narrative about her spouse requires it.
Extended timeline
| Year or Date | Event |
|---|---|
| Pre-1971 | Born to Charles Henry Hansen and raised in a family associated with music publishing |
| April 3, 1971 | Married Michael Stanton Jeffries |
| 1970s to 1980s | Family life marked by the birth and maturation of son Andrew; Susan referenced in social notices |
| 2013 | Social registry notices record Andrew Hansen Jeffries and family presence in society pages |
| 2023 to 2025 | Media coverage of legal matters involving spouse includes background references to Susan and family status |
| 2025 | Public record continues to list Susan as spouse and as daughter of Charles H. Hansen; limited independent public activity |
The timeline reads like the spine of a book whose pages are mostly family records and social columns. It is a measured march of roles: daughter, bride, mother, longtime spouse.
The family as a constellation
Think of the Hansens and the Jeffries as a small constellation where each star has a role that lights the map. Charles Henry Hansen anchors one corner with a publishing firm. Susan occupies a neighboring star, quiet but steady, reflecting family history and social standing. Mike Jeffries is a brighter flare in the constellation because of his corporate career, and Andrew is a smaller glint that extends the family line into a third generation.
A table helps fix relationships in place.
| Person | Relationship to Susan Marie Isabel Hansen | Noted public role |
|---|---|---|
| Charles Henry Hansen | Father | Founder and president of a music-publishing firm |
| Isabel McGehee Hood | Mother – reported | Family matriarch in listings |
| Kathleen Hansen | Sister – reported | Family member listed in company histories |
| Michael Stanton Jeffries | Spouse – married 1971 | Corporate executive and public figure |
| Andrew Hansen Jeffries | Son | Appeared in social registries and announcements |
Each name carries social texture. Each connection explains why Susan appears in public records when she does.
Public image and private life
Susan’s public image is spare, like a sketch where only the main lines are inked. She represents a category of person who inhabits the spaces behind high profile careers: partner, parent, inheritor of a family business legacy. Her life in public documentation emphasizes continuity rather than performance. There is dignity in that, an economy of presence that resists the glare while still appearing when history demands a witness.
FAQ
Who is Susan Marie Isabel Hansen?
Susan Marie Isabel Hansen is the daughter of Charles Henry Hansen and the spouse of Michael Stanton Jeffries, married on April 3, 1971.
Who are her immediate family members?
Her immediate family includes father Charles Henry Hansen, mother Isabel McGehee Hood (reported), sister Kathleen (reported), husband Michael Stanton Jeffries, and son Andrew Hansen Jeffries.
Is she divorced from Mike Jeffries?
Public records and reporting note that she and Mike Jeffries were married in 1971 and that she remains his spouse; widely reported public accounts indicate periods of separation but not a widely published divorce.
What is her occupation?
Public notices link her to her family’s music-publishing background, but there is no extensive public record of a separate long-term professional career under her name.
Has she been in recent news?
Her name has appeared in recent news items mainly as biographical context in coverage of her spouse and related legal matters.
Are there public financial records for her?
There are no independently published, detailed financial disclosures for Susan in mainstream reporting; financial coverage in public media focuses on her spouse.